by John Bickerton | May 14, 2025 | American Avant-Garde, Composers, Experimental Music
John Cage’s Radio Music, composed in 1956, is intended to be performed as a solo or ensemble piece for 1 to 8 performers, each using one radio. The piece has a specified duration of exactly six minutes. Radio Music was composed during a period when Cage heavily...
by John Bickerton | May 8, 2025 | American Avant-Garde, Composers, Experimental Music
John Cage’s Variations IV, composed in 1963, is the fourth work in his series of eight Variations written between 1958 and 1967. It is considered the second part of a group of three works, preceded by Atlas Eclipticalis (1961–62) and followed by...
by John Bickerton | May 6, 2025 | American Avant-Garde, Composers, Experimental Music
John Cage’s Atlas Eclipticalis, composed in 1961–62, is an orchestral work that can also be performed by any ensemble, whether chamber or orchestral, and with any type and number of instruments. It is regarded as the first in a sequence of three works, followed...
by John Bickerton | May 1, 2025 | American Avant-Garde, Composers, Experimental Music
Graphic notation (as seen above in the score for December 1952) is a significant element of Earle Brown’s work and a notable aspect of the avant-garde music scene in New York during the 1950s. It represents a radical departure from traditional musical scores,...
by John Bickerton | Apr 30, 2025 | American Avant-Garde, Composers, Experimental Music
The New York School refers to an informal group of four American composers who gained international recognition in the 1950s: John Cage, Earle Brown, Morton Feldman, and Christian Wolff. Cage was the senior figure in this group and held a reputation for his...
