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Éliane Radigue: The New York Synthesis

Éliane Radigue: The New York Synthesis

by John Bickerton | Mar 2, 2026 | Composers, Experimental Music

Éliane Radigue’s time in New York City was a pivotal turning point in her career, marking her transition from the tape-based methods of musique concrète to a lifelong mastery of modular synthesizers. The NYU Residency (1970–1971) In 1970, Radigue was invited to...
Éliane Radigue and the Radical Power of Slowness

Éliane Radigue and the Radical Power of Slowness

by John Bickerton | Mar 2, 2026 | Composers, Experimental Music

The Radical Power of Slowness: The Singular Journey of Éliane Radigue Éliane Radigue, who passed away in February 2026 at the age of 94, was a composer who redefined our relationship with time and sound. Across a career spanning over six decades, she evolved from an...
Earle Brown’s Four Systems: The Mobile Score

Earle Brown’s Four Systems: The Mobile Score

by John Bickerton | Dec 31, 2025 | American Avant-Garde, Composers, Experimental Music

Four Systems is a landmark “open-form” graphic score composed by Earle Brown on the afternoon of January 20, 1954. It was created as a spontaneous birthday present for pianist David Tudor while Brown and John Cage were backstage at the Brooklyn Academy of...
What Makes Perfect Lives a Radical Kind of Opera?

What Makes Perfect Lives a Radical Kind of Opera?

by John Bickerton | Jun 2, 2025 | 20th Century Opera, American Avant-Garde, Composers, Experimental Music

The Unique Structure of Robert Ashley’s Television Opera Robert Ashley’s Perfect Lives employs a deliberately unconventional narrative structure that significantly departs from traditional opera and from typical linear storytelling. The narrative follows an...
John Cage’s Radio Music (1956)

John Cage’s Radio Music (1956)

by John Bickerton | May 14, 2025 | American Avant-Garde, Composers, Experimental Music

John Cage’s Radio Music, composed in 1956, is intended to be performed as a solo or ensemble piece for 1 to 8 performers, each using one radio. The piece has a specified duration of exactly six minutes. Radio Music was composed during a period when Cage heavily...
John Cage: 0’00” and the Performance of Silence

John Cage: 0’00” and the Performance of Silence

by John Bickerton | May 12, 2025 | American Avant-Garde, Composers, Experimental Music

Contemporary artists have explored and reimagined 0′00″ in new contexts.Composed in 1962, 0′00″—also known as 4′33″ No. 2—is seen as a major turning point in Cage’s work. It represents a clear break from his earlier style and marks the beginning of a new direction in...
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Four Systems by Earle Brown now available on Simple Harmonic Motion records

New release on Simple Harmonic Motion: Four Systems - Four distinct realizations of the landmark score by Earle Brown

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0'00" 4'33" ARP 2500 Atlas Eclipticalis Available Forms Avant-Garde Music Blue Gene Tyranny Chance Music December 1952 Earle Brown Electronic Music Experimental Opera Folio Four Systems Graphic Notation Graphic scores I Ching Indeterminacy John Cage John Cage Trilogy Morton Feldman musique concrète Narrative in Music New York City November 1952 Open Form Perfect Lives Radio Music Robert Ashley Simple Harmonic Motion Spoken Word Opera The New York School Variations IV Éliane Radigue

Simple Harmonic Motion Records

Simple Harmonic Motion is an independent label devoted to contemporary and experimental music shaped by structural balance and open-form practice. The label presents both original compositions and significant works from the American experimental tradition, with an emphasis on clarity of form, spatial organization, and performer agency.

Recent releases include recordings of John Cage’s Atlas Eclipticalis and Earle Brown’s Four Systems, alongside new works that explore proportion, pacing, and harmonic design within disciplined frameworks.

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